Sigma 30mm F1.4 DC HSM A Canon and Nikon mount lens reviews: good all-round performer


Introduction

Sigma is reorganizing its lens range in to three product categories; Contemporary, Sports and Art, the latter of which this new model is a part of is reserved for its highest performing lenses.  With its angle of view equivalent to a 45mm on a full-frame 35mm camera, the 30mm f/1.4 DC HSM A has been substantially revised with a new optical construction of 9 elements in 8 groups (over the previous 7 elements in 7 groups), closer minimum focus distance of 30cm (down from 40cm) and 9 diaphragm blades as opposed to the earlier iteration’s 8 blades. New algorithms are said to improve the AF performance of the built-in ultrasonic type motor, while compatibility with the firm’s innovative USB Dock allows focus adjustment and updating of firmware. Lastly, a high quality outer shell and finish has been adopted in accordance with others in the Art line, but despite the improvements, the price remains the same as the older model at $499. read more

Nikon AF-S Nikkor 500mm and 600mm f/4G ED VR lens reviews: legendary performers in the range


So what does all this mean to me and why did I bother writing a post on something we photographers should intuitively know by now? It’s evident that newer lenses produce better photos. It’s obvious but I believe we might sometimes loose just a little perspective with this’better’ scale.Take the vintage 43-86mm lens, recall this is reputed to be the’worst’ Nikon lens ever, this lens is older than many of its owners and to place it into perspective, 1 year earlier this lens came to market audio tapes were devised. That’s crazy, you would expect a lens that’s dubbed as the worst lens and made at a time prior to pocket calculators that it would be like shooting via a classic sock! It just isn’t. Yes it is soft, yes it is blurry at the edges, yes it moves in the highlights but it is still usable and frankly a shot taken with this lens and exhibited from the most common structure of our creation i.e. our telephones, nobody could ever know.Ok thus lets fast forward nearly half a century and compare what Nikon is up to now. The elderly 28-105mm lens that I’ve been using for over ten decades and taken literally tens of thousands of frames without incident, service or repair, how did these pictures compare? Pretty damn good in my view, yes its a’old’ lens but I have taken commercial jobs on it for my whole career. It has images have been in books, magazines, Adshels, posters and nearly every other printed media out there and I have never thought’oh that is a little soft/flat/distorted’. read more

swiss movement Sony FE 70-200mm f/2.8 GM OSS lens review


For full-frame shooters, a fixed f/2.8 aperture, 70-200mm zoom is an extremely popular lens for shooting sports, wildlife, reportage, events, weddings as well as portraits, making it a versatile and must-have lens for many pros. The Sony lens promises outstanding resolution, as well as attractive bokeh thanks to its eleven-bladed circular aperture. read more

online safe Carl Zeiss Milvus 2/35 ZE Canon lens review: German precision


The fast f/2 maximum aperture makes it a versatile prime lens for low-light photography. The 35mm focal length facilitates a field of view akin to human vision (excluding peripheral vision), which makes it a nice focal length for capturing scenes with natural perspective; and it’s a popular choice for photographers shooting events, weddings, or environmental portraiture, as well as interiors and architectural photography (if you can get far enough back).  read more

guide trusted dealers Carl Zeiss Milvus 2/35 ZF.2 Nikon lens review: Affordable quality


Announced in September 2015, the $1117 Carl Zeiss Milvus 2/35mm ZF.2 Nikon (Milvus 35mm f/2) is an FX-mount Nikon lens designed specifically for full-frame Nikon DSLRs such as the D800E. The fast f/2 maximum aperture makes it a versatile prime lens for much low-light photography. The 35mm focal length facilitates a field of view akin to human vision (excluding peripheral vision), which makes it a nice focal length for capturing scenes with natural perspectives, and it’s a popular choice for photographers shooting events such as weddings or for environmental portraiture, as well as for interior and architectural photography (if you can get back far enough). read more

men’s watch under 200 Sigma 500mm f/4 DG OS USM S Canon lens review: Super-sharp shooter


The lens features the large f/4 maximum aperture desirable for achieving fast shutter speeds; Sigma’s 4-stop image stabilizer (OS) for shake-free images of relatively static subjects, using shutter speeds as slow as 1/30 of a second; and Sigma’s hypersonic autofocus motor (HSM) for responsive AF performance. read more

online shopping Olympus M.Zuiko Digital ED 25mm f/1.2 PRO lens review: Solid choice


Combined with its wide f/1.2 maximum aperture, the focal length makes it a very versatile all-round prime for low-light photography, portraiture, general use, and creative out-of-focus background bokeh effects. Optical construction utilizes 19 lens elements in 14 groups, including 1 super ED (extra-low dispersion), 2 ED, 3 HR (high refractive), 1E-HR (extra-high refractive), and 1 aspherical, and all with Z-Nano Coating to help reduce flare and ghosting. The lens’s internal focusing system guards against protruding elements during focusing, and autofocus is driven by Olympus’s MSC high-speed autofocus motor. read more