Hight Quality Lens Filters Buying Guide

Filters are curious items. So simple in their style and yet to the uninitiated they can be the reason for much confusion – both in the time of purchase and when put into use. Frequently, enthusiastic photographers easily associate with their hard-earned cash, buying Camera filter that they believe will improve their images, only to be disappointed with the results. This actually is not anybody’s fault, rather a matter of education; as ever, understanding how to pick the perfect tool for the job and, more importantly, knowing how to get the best out of it, should be your starting point. In this guide, I will give you a basic overview of what is out there. Of course, not all shapes and types of filter will suit each photographer (or their funding ), but there’ll be something that’s ideal for you. Simply put, a filter is a piece of glass or resin that is (usually) placed in front of your camera lens. Some are more elaborate than others in their own function, but all share the quality that they change how your pictures will examine the right time of exposure (and, generally, ahead through the viewfinder, too). Some filters, for example ultraviolet types, do not actually have a noticeable visual impact, while others are often very striking, either in cutting out a lot of the light entering the lens or introducing colour and/or contrast to the spectacle in the front of your camera. What exactly are filters used for? Well, there are two main reasons why photographers use them – lens security and creativity. In the case of the former, a lot of people decide to leave a transparent threaded filter attached to the front of each of the lenses from the word go. The argument for doing so is that, if the front of the lens have pumped, scratched or unfortunately damaged, there is a fair chance that the filter will take the brunt of the impact. On the flip side, many people today maintain that image sharpness is compromised by the use of those filters. While this may happen to be true in the past, especially with cheap filters, the standard of materials used nowadays is so good that the average person would probably be not able to discern the difference in the resultant images. In the end of the day it is your choice but, having had lenses stored by protective filters myself, I know what I’d rather do! Filters may be used singularly or’stacked’ in front of the lens – it really depends on what visual impact you want to achieve. It might be that you want to cut out reflections in glass surfaces or perhaps you wish to tone-down a glowing white sky – either way, there is an exhaustive variety of mixes available to the photographer. There are numerous main designs but, whatever the way they attach, all varieties of filter basically work in the exact same way once firmly held in position. Perhaps the simplest design to use is the round, screw-in filter (note: this is not the same as a round filter, which I will return to later), which screws into the filter thread on your lens. When making your choice, make sure you double-check the thread size of your lens (frequently clearly indicated in millimeters – such as 67mm or 72mm – to the lens itself or on the underside of the lens cap) as this is the vital bit of information required for accurately fitting both elements.

LiteChaser is a complete camera filter system for the iPhone 11 affordable

It is a little bit of a specified that phone cameras are getting better and better in recent decades, to the point where you can now take professional-quality photos and videos together with your smartphone.
That’s well and accurate, but you may, like us, find that your snaps come out looking distinctly average a good deal of the time. Often, that’s because, while the camera may be strong, the lighting conditions might not be quite right, or your hand may be shaking a small bit, or some of other reasons. Input the likes of PolarPro, making amazing attachments for your smartphone to level up your mobile photography.
It has got a brand new range of accessories falling for the iPhone 11 and 11 Guru and 11 Pro Max — LiteChaser Pro, that will take your photos and video up a notch, and we wanted to run you through just what benefits you can reap from picking them up. If you believe a comprehensive filter system to get iPhone 11 can improve your photography, read on.
The core part of PolarPro’s LiteChaser system is a case on your phone, which unlocks its potential by letting you clip on several other accessories. In itself, however, it is a wonderful bit of security which looks sleek and nice, and won’t draw attention to itself when you’re not in the middle of shooting. read more

swiss movement Sony FE 70-200mm f/2.8 GM OSS lens review

For full-frame shooters, a fixed f/2.8 aperture, 70-200mm zoom is an extremely popular lens for shooting sports, wildlife, reportage, events, weddings as well as portraits, making it a versatile and must-have lens for many pros. The Sony lens promises outstanding resolution, as well as attractive bokeh thanks to its eleven-bladed circular aperture. read more

online safe Carl Zeiss Milvus 2/35 ZE Canon lens review: German precision

The fast f/2 maximum aperture makes it a versatile prime lens for low-light photography. The 35mm focal length facilitates a field of view akin to human vision (excluding peripheral vision), which makes it a nice focal length for capturing scenes with natural perspective; and it’s a popular choice for photographers shooting events, weddings, or environmental portraiture, as well as interiors and architectural photography (if you can get far enough back).  read more

low price Canon EF 16-35mm f/2.8L III lens review

Key specifications:

  • Canon EF lens mount
  • F/2.8 maximum aperture
  • 82mm filter thread
  • Ultrasonic AF motor
  • 16 elements in 11 groups
  • Length 127.5mm



  • Sharpest EF 16-35mm f/2.8L to date
  • Significantly improved edge sharpness
  • Wide f/2.8 maximum aperture for fast paced photography
  • Improved durability with dust and water resistance


Potential Drawbacks

  • No Image Stabilization
  • Big and heavy
  • Expensive compared to f/4 version


Overall image quality

Evaluated on the EOS 5DS R, the new EF 16-35mm f/2.8L III is one of the best performing Canon wide-angle zoom lenses we’ve tested, achieving an excellent overall DxOMark Score of 34 points. Crucially sharpness has been significantly improved in the outer field compared to its predecessors, which has helped boost its overall sharpness score to 24 P-Mpix, compared to 18 and 17 on the Mark II and Mark I respectively. Distortion and Chromatic Aberration results have improved a little compared to the Mark II as well, although you can still expect some barrelling over 0.5%, as well as a little fringing, using the widest focal lengths between 16-18mm. Vignetting is marginally worse than on its predecessor, with some fairly heavy corner shading using the wider focal lengths and maximum apertures, and the problem is only truly resolved between 24-35mm from f/5.6. read more

guide trusted dealers Carl Zeiss Milvus 2/35 ZF.2 Nikon lens review: Affordable quality

Announced in September 2015, the $1117 Carl Zeiss Milvus 2/35mm ZF.2 Nikon (Milvus 35mm f/2) is an FX-mount Nikon lens designed specifically for full-frame Nikon DSLRs such as the D800E. The fast f/2 maximum aperture makes it a versatile prime lens for much low-light photography. The 35mm focal length facilitates a field of view akin to human vision (excluding peripheral vision), which makes it a nice focal length for capturing scenes with natural perspectives, and it’s a popular choice for photographers shooting events such as weddings or for environmental portraiture, as well as for interior and architectural photography (if you can get back far enough). read more

men’s watch under 200 Sigma 500mm f/4 DG OS USM S Canon lens review: Super-sharp shooter

The lens features the large f/4 maximum aperture desirable for achieving fast shutter speeds; Sigma’s 4-stop image stabilizer (OS) for shake-free images of relatively static subjects, using shutter speeds as slow as 1/30 of a second; and Sigma’s hypersonic autofocus motor (HSM) for responsive AF performance. read more

online shopping Olympus M.Zuiko Digital ED 25mm f/1.2 PRO lens review: Solid choice

Combined with its wide f/1.2 maximum aperture, the focal length makes it a very versatile all-round prime for low-light photography, portraiture, general use, and creative out-of-focus background bokeh effects. Optical construction utilizes 19 lens elements in 14 groups, including 1 super ED (extra-low dispersion), 2 ED, 3 HR (high refractive), 1E-HR (extra-high refractive), and 1 aspherical, and all with Z-Nano Coating to help reduce flare and ghosting. The lens’s internal focusing system guards against protruding elements during focusing, and autofocus is driven by Olympus’s MSC high-speed autofocus motor. read more